FORMAT OF SYNOPSIS!! Before starting to work on Dissertation/Article, the FCPS trainee has to send a Synopsis to RTMC and get it approved. The synopsis is a brief out line (about four A-4 size pages or 1000 words is the maximum limit) of your future work.! A synopsis must have the following headings:!! TITLE: Should reflect the objectives of. Related Images: smartphone mobile mobile phone cell phone social media. 2,366 Free images of Phone. Iphone Cell Phone Phone. Tablet Screen Monitor. Phone Elderly Woman. Smartphone Android Os. Mobile Phone Mobile. Cactus Plants Pots. Mobile Phone Smartphone.
The narrator begins her journal by marveling at the grandeur of the house andgrounds her husband has taken for their summer vacation. She describes it inromantic terms as an aristocratic estate or even a haunted house and wonders howthey were able to afford it, and why the house had been empty for so long. Herfeeling that there is “something queer” about the situation leads her into adiscussion of her illness—she is suffering from “nervous depression”—and of hermarriage. She complains that her husband John, who is also her doctor, belittlesboth her illness and her thoughts and concerns in general. She contrasts hispractical, rationalistic manner with her own imaginative, sensitive ways. Hertreatment requires that she do almost nothing active, and she is especiallyforbidden from working and writing. She feels that activity, freedom, andinteresting work would help her condition and reveals that she has begun her secretjournal in order to “relieve her mind.” In an attempt to do so, the narrator beginsdescribing the house. Her description is mostly positive, but disturbing elementssuch as the “rings and things” in the bedroom walls, and the bars on the windows,keep showing up. She is particularly disturbed by the yellow wallpaper in thebedroom, with its strange, formless pattern, and describes it as “revolting.” Soon,however, her thoughts are interrupted by John’s approach, and she is forced to stopwriting.
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As the first few weeks of the summer pass, the narrator becomes good at hidingher journal, and thus hiding her true thoughts from John. She continues to long formore stimulating company and activity, and she complains again about John’spatronizing, controlling ways—although she immediately returns to the wallpaper,which begins to seem not only ugly, but oddly menacing. She mentions that John isworried about her becoming fixated on it, and that he has even refused to repaperthe room so as not to give in to her neurotic worries. The narrator’s imagination,however, has been aroused. She mentions that she enjoys picturing people on thewalkways around the house and that John always discourages such fantasies. She alsothinks back to her childhood, when she was able to work herself into a terror byimagining things in the dark. As she describes the bedroom, which she says must havebeen a nursery for young children, she points out that the paper is torn off thewall in spots, there are scratches and gouges in the floor, and the furniture isheavy and fixed in place. Just as she begins to see a strange sub-pattern behind themain design of the wallpaper, her writing is interrupted again, this time by John’ssister, Jennie, who is acting as housekeeper and nurse for the narrator.
As the Fourth of July passes, the narrator reports that her family has justvisited, leaving her more tired than ever. John threatens to send her to WeirMitchell, the real-life physician under whose care Gilman had a nervous breakdown.The narrator is alone most of the time and says that she has become almost fond ofthe wallpaper and that attempting to figure out its pattern has become her primaryentertainment. As her obsession grows, the sub-pattern of the wallpaper becomesclearer. It begins to resemble a woman “stooping down and creeping” behind the mainpattern, which looks like the bars of a cage. Whenever the narrator tries to discussleaving the house, John makes light of her concerns, effectively silencing her. Eachtime he does so, her disgusted fascination with the paper grows.
Soon the wallpaper dominates the narrator’s imagination. She becomespossessive and secretive, hiding her interest in the paper and making sure no oneelse examines it so that she can “find it out” on her own. At one point, shestartles Jennie, who had been touching the wallpaper and who mentions that she hadfound yellow stains on their clothes. Mistaking the narrator’s fixation fortranquility, John thinks she is improving. But she sleeps less and less and isconvinced that she can smell the paper all over the house, even outside. Shediscovers a strange smudge mark on the paper, running all around the room, as if ithad been rubbed by someone crawling against the wall.
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The sub-pattern now clearly resembles a woman who is trying to get out frombehind the main pattern. The narrator sees her shaking the bars at night andcreeping around during the day, when the woman is able to escape briefly. Thenarrator mentions that she, too, creeps around at times. She suspects that John andJennie are aware of her obsession, and she resolves to destroy the paper once andfor all, peeling much of it off during the night. The next day she manages to bealone and goes into something of a frenzy, biting and tearing at the paper in orderto free the trapped woman, whom she sees struggling from inside the pattern.
By the end, the narrator is hopelessly insane, convinced that there are manycreeping women around and that she herself has come out of the wallpaper—that sheherself is the trapped woman. She creeps endlessly around the room, smudging thewallpaper as she goes. When John breaks into the locked room and sees the fullhorror of the situation, he faints in the doorway, so that the narrator has “tocreep over him every time!”